Similar melody notes as Door of My Heart.

Using B as a primary drone note makes the chant in Em.

Simple chant, just need to practice moving the melody between the 2 key centers and getting comfortable with how many times to repeat each one, moving between the 2, making it natural to follow.

Similar melody notes as Door of My Heart.

Simple chant with easy hand positions and easy to follow, moderate vocal range, and generally played in key of C so no black keys.

Same melody notes as Door of My Heart; there is an updated sheet music depicting a small change that will be incorporated into the next version of Cosmic Chants.

Simple melody, need to memorize the sequence of the lyrics, and create a repeatable song form, there are a couple options which are detailed on the chant page.

There are 3 sections to learn, lyric sequences to memorize, and decision with the lyrics for the section with "Om, om, come to me" or "Divine Mother come to me", and make it easy to follow.

As written in Cosmic Chants, this is very simple, but usually is combined with "Om Guru" and "O my Guru come to me" to create 3 sections. Be alert to the "pickup" which is "I will sing" where the lyric "sing" starts on beat 1.

Relatively simple chant, but does have a wide vocal range, requirement to sing chromatic notes, and learn each of the 3 sections which are repeated twice each.

Simple and repetitive chant that feels like a bhajan. The melody needs to be learned in both key centers since it moves back and forth. And the first half has a slight melody variation that isn't part of the 2nd half. The second half has the lyric "Bhavatarini". It takes some practice to move the hand position smoothly between the 2 halves.

Relatively simple chant, rotating between 3 lyric sections and doing each one twice. The only tricky part is the "extra bar" at the beginning which makes the song form an uneven number of bars.

This is a simple and commonly played chant, the main challenge being that the 2nd half lyric goes relatively high in pitch, and it can be difficult to find places to breathe especially when playing at a faster tempo. Playing at a relaxed mid-tempo works well.

This chant has a wide vocal range, several sections of lyrics to memorize, but also is straightforward in 4/4 and relatively easy rhythmically and familiar to most devotees.

Difficulty due to length of chant and complex melody.

There are several challenges in the rhythms and fingerings that make this a challenging chant, as well as learning the song form and rendering it at a relaxed tempo so the harder parts don't feel too frantic.

Difficulty due to length of chant and volume of lyrics.

Requires some skill to sing the chromatic notes in the melody correctly, and navigate the change in time signature between 6/4 and 4/4.

Requires singing chromatic notes accurately, and be alert to the correct rhythm on the word "Guru's". Also some people mistakenly sing "thinking of thy Guru's" instead of "think ye of thy Guru's".

An easier chant, but with the challenge of switching time signatures, and singing chromatic notes as there is an accidental in the 2nd lyric section.

One of the simplest chants, and the main challenge is to memorize the song form and sequence of lyrics to make it organized and easy to follow.

A simple chant that stays in the triplet feel and doesn't have a very wide vocal range. The key is to learn the triplet pulse and select a tempo that feels good and can be maintained.

This is a relatively simple song but requires some skill to select and maintain an ideal tempo, and to handle the wide vocal range. The vocal notes are held in prolonged fashion so it takes vocal skill to hold those notes on pitch.

Takes some practice to master the fingerings and the triplet feel, and to play at a steady pace with a nice rhythmic feel. If it is played too fast or too slow it is not as effective or easy to follow.

Very familiar chant, rated 3 because there are some tricky rhythms to master, and there are alternate melodies to consider incorporating (not required). The first lyric "Thou" is a pickup and beat 1 starts with "art".

Difficulty due to length of chant and volume of lyrics.

Difficulty due to complex song form and holding the steady pulse at a slow tempo, and volume of lyrics.

Relatively short and simple, but has non-standard time signatures and requires some skill to render it in a compelling way since it is so short and repetitive.

First part 3/4, second part 4/4.

It has non-standard time signatures but is not difficult from a harmonium perspective, as long as the form and rhythmic structure can be learned.

Difficulty due to wide vocal range, odd time signatures, and volume of lyrics.

Difficulty due to odd time signatures and melodic subtleties.

Difficulty due to odd time signatures and slow tempo.

Difficulty due to odd time signatures and rhythmic complexities.

Can play in-time the whole way, or natural to play the first line in "free time" then go into time on "On the left..."

Can also be played naturally in free time. Difficulty due to odd time signatures and rhythmic complexities.

Difficulty due to melodic complexity and odd time signatures.

Difficulty due to length of chant and odd time signatures.

Difficulty due to vocal range and odd time signatures.

Also can be played naturally in free time. Difficulty due to volume of lyrics and song form.

Difficulty due to varying rhythms and odd time signatures.

Difficulty due to melodic complexity, length, odd time signatures, and very complex vocals if playing the full version. Also can play only the familiar chorus and omit the preceding sections.

This is the familiar Om Chant used at the end of meditations.

There is a challenge to memorize the lyrics, and not mix up the 1st half with the 2nd half. Need to sing it slowly and smoothly so others can follow since it is a Free chant.

One of the simpler Free time chants, takes some skill to render it slowly and easy to follow, and deepen the devotion with repetition as it is such a short chant. The chant alternates between 2 lyrics so the leader needs to keep track and alternate between them.

Simple Free chant, the challenge is just to render it smoothly and easy to follow. Since it is shorter and repetitive, it can be a good one for the very end of a meditation, or to combine with another in-time chant in the same chanting period.

Wide vocal range required, and singing it smoothly so the congregation can follow, since it is in Free time.

As played on "I Will Sing Thy Name" album, although there is a written time signature in Cosmic Chants book, with varying time signatures.

Relatively simple melody, need to learn the 2 halves of the lyrics and not mix them up, and sing with a pacing that others can follow comfortably, slowly and with feeling.

Requires vocal skill to sing the various chromatic notes, memorize the sequence of the lyrics, and consider incorporating the optional lyrical patterns to make a compelling, but easy-to-follow song form.

Similar in difficulty and style to I Will Be Thine Always, it is a slower Free chant, requires memorizing the lyrics and sequence, and considering tasteful optional repeats to emphasize certain parts and be easy to follow at a relaxed pace.

Written in time with rhythm but most naturally/commonly played free time.

Commonly and naturally played "free time" but is written with a time signature in Cosmic Chants.

Difficulty due to being a free time chant, and wide vocal range.

Intro in free time, then 4/4 enters on "Come out of the silent sky...", the in-time portion has similar melody notes as Door of My Heart.

The 2nd section "Floating on the breeze of bliss..." is in free time.

Each verse starts in free time and then goes into 4/4 time.